Film Reviews: Wednesday, July 19, 2006
Monster House
Voices by Mitchel Musso, Spencer Locke, and Sam Lerner. Directed by Gil Kenan. Written by Dan Harmon, Rob Schrab, and Pamela Pettler. Rated PG.
A D V E R T I S E M E N T
A D V E R T I S E M E N T
Dining In

The dark corners of this Monster House wonít scare just the kids.

By KRISTIAN LIN

Why do animators on films like Monster House and The Polar Express spend so much energy trying to realistically render people? The wave of the future is clearly the rotoscoping technique developed by Bob Sabiston, which can be seen in Richard Linklaterís Waking Life and A Scanner Darkly, the latter slated for release here next week. These films, in which animators trace over footage shot with live actors, offer the best of both worlds ó the expressiveness of human performers with the creative freedom of animation. Pixels and polygons just canít compete.

More rudimentary technical limitations are what hurt the otherwise enjoyable Monster House. The motion isnít smooth, which is readily apparent in an early scene with a boy dribbling a basketball ó the ball doesnít bounce convincingly, and the boyís muscles donít seem to be making the ball bounce. The animation is also poor at capturing surfaces. Thereís little visual difference between the charactersí skin, the metal in cars and bicycles, and the wood in the titular house. You canít help feeling the teams at Pixar or even DreamWorks would have done right by these things.

Thatís too bad, because this movie boasts not only sharp writing but also a story idea thatís unusually dark and twisted for a kidsí film. A 12-year-old boy named DJ (voiced by Mitchel Musso), whose parents have left him in a babysitterís care for the weekend of Halloween, goes after a basketball that has landed in the yard of the mean old man who lives across the street (voiced by Steve Buscemi). A genuinely frightening scene ensues, when the old man comes out in a towering rage and manhandles DJ before suffering a fatal heart attack. Even more disturbing stuff is yet to come, as DJ and his chubby best friend Chowder (voiced by Sam Lerner) conclude that the old manís house is alive and busy eating yard signs, stray dogs, and anything or anyone else that sets foot on the property, now that its owner is dead. They have an unexpected ally in Jenny (voiced by Spencer Locke), a slightly older girl who almost gets swallowed up while selling school candy.

The screenwriters do an excellent job of maintaining the kidsí pre-teen perspective on things; when Jenny locates what she believes to be the houseís uvula, Chowder says in an enlightened tone, ďOh! So itís a girl house!Ē The movie brims with character details that ring true, like the way DJ and Chowder revere an overweight pizza delivery guy (voiced by Jon Heder) as a genius because heís a wiz at a medieval-themed arcade game called Thou Art Dead. The voice talent is all dead-on, especially the adult performers like Heder and Maggie Gyllenhaal as DJís negligent babysitter. Best of all is the work by first-time director Gil Kenan, who turns the screws of suspense like an expert. The house is all the scarier for being such a well-conceived character. The imagination that goes into the house is the main reason why Monster House is, for all its shortcomings, such a kick in this summerís moviegoing.


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